25
Jan

   Posted by:AUDIOMIND


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    Drum machines never put drummers out of work…automation just opened up the sound and groove palette of music.

    Music talent can now be measured in new ways: sound design and programming, which became the criteria of the sublime – not the athleticism intrinsic to acoustic performative instruments.

    This entry was posted on Tuesday, January 25th, 2005 at 9:28 AM . You can follow any responses to this entry through the RSS 2.0 feed.

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    you know… I quite often have to read what you say more than once to understand, but I always enjoy it… I’m in a tired and sappy mood too, so I wanted to tell you again that it was really nice to meet you – I’m not sure what side of town you live on, but Molly has my number if you ever want to hang out. Even when you’re making intelligent posts that I have to re-read, I still picture you pimpin with that one big eye. :)

    January 27th, 2005 at 6:38 AM
     2 

    More on the previous dictation…..

    My mind………also to be used as a synonym for the word ‘method,’ in which case ‘it’ applies equally to the more cerebral sets of processes executed on any instrument…

    ….i know i rely on a series of techniques to achieve certain sounds… it’s not the same knowledge base, it doesn’t trigger the same brain areas, as repetitive motion does though, what i would call athletic training on an instrument.….

    …..only once repetitive motion (i.e. practice) is internalized as second nature, (it moves from the conscious to the unconscious, much like my fingers are doing as I am typing this now) as it is freed of the more mundane limits of flesh and blood while moving toward the more creative parts of the brain…

    …..automation, computer automation, merely moves you along the ‘process’ faster. it accelerates human creativity as well as opening up music to the physically inept:)

    music notation in classical music is exactly this as well……for the composer doesn’t have to become a master in every instrument in the orchestra, they ‘automate’ the players through a strict symbolic language called ‘notation.’

    this is why adherence and conformity are such massive criteria in the classical scene and interpretation and improvisation are keep to a minimum…

    the whole thing is rationalized……

    …..anyway, I’m way off on a fucking tangent here and i need some coffee.…..

    “Music gives nameless nourishment to the soul” – Jean Cocteau

    January 27th, 2005 at 2:17 PM

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